WALLOWING IN DAYS LONG PAST
MISTAKES WE'VE MADE
THE SCARS THAT LAST
WITH MY HAND
WRAPPED AROUND YOUR NECK
WITH SUCH PASSION
WITH RESPECT
SWALLOWING THESE PILLS
THAT I'VE STASHED
YOU WEREN'T READY
FOR ME TO BE UNMASKED
WITH HER HANDS
TIED BEHIND HER BACK
IT'S TOO LATE NOW
THE WORLD'S TURNED BLACK
WALLOWING IN DAYS LONG PAST
MISTAKES WE'VE MADE
THE SCARS ALIGN
WITH MY HANDS
WRAPPED AROUND YOUR NECK
WITH SUCH PASSION
WITH RESPECT
SWALLOWING THESE PILLS
I'VE AMASSED
YOU WERE NOT READY
FOR ME TO BE UNMASKED
WITH HER HANDS
TIED BEHIND HER BACK
IT'S TOO LATE NOW
HER WORLD'S TURNED BLACK
This album is an absolute banger. The riffs are especially groovy this time, the vocals are amazing, and the overall thing is supercatchy. If I'd have to list one downside, it's that the mix is so bass-heavy that the sound only truely comes into it's right when listened on good headphones or extremely good speakers. On anything less it can sound like the bass drowns the rest of the music out. 9/10 Buzzario
this their most solid release to date, there other records are all insanely brilliant, you should buy them if you enjoy this for sure. keep kicking ass and putting some of the best sludge this decade. Ryan Graham
The stygian duo explore themes of gender dysphoria and oppressive institutions through sludgy doom with a pitch-black underbelly. Bandcamp Album of the Day Apr 26, 2021
Comme Satan Worshipping Doom et Miserable, Terminal est un album qui vraiment toute son ampleur quand il est écouté d'une traite car il s'agit d'une lente agonie qui s'étend sur presque trois-quarts d'heure. Les sonorités psychédéliques propres à Bongripper sont absentes et le stoner/doom metal du quartette tend plutôt vers une sphère atmosphérique (certains arpèges de "Slow" ne sont pas éloignés de celles de Earth) voire funéraire et la mort finit par s'imposer comme la seule évidence possible. Jordan Vauvert